#this is only a theory but again...

[biblicallyaccurateslut]

So, I am reading the Taylor Swift person of the year article and it was only when she signed a new record deal that she was given more creative freedom. Then the lover era started, the queerest era, when she was supposed to come out. In the exact moment she had the chance to come out safely she tried. I have been crying for about 5 minutes.

[radiance1]

Danny: Hey, I need you to be my boyfriend for a week.

Jason: What.

Danny: My parents are coming over and I've apparently accidentally talked about a partner more than once and only realized when they said they wanted to meet them.

Jason, currently still solidifying his power as a Crime Lord: Excuse me?

Danny: Let me get this out of the way, I do not consider you at all a person of romantical interest and a friend. But I need you to act as my partner for only a week until my parents go on their merry way over to my sister, okay?

Jason: Is there, quite literally, no one else to ask this?

Danny: You're my only friend who lives in Gotham, plus we share the same apartment.

Jason: That's almost sad.

Danny: You in?

Jason: Sure, why not.

===

Maddie: Danny, honey.

Danny: Yes mom?

Maddie: I don't mean to.... question, who you choose as your parent but. Well, me and your father was just wandering if he was a... [Maddie gestures with her hand] you know, one of those.

Danny, uncomprehendingly staring at his mother's hand: What.

Maddie: Oh dear, how do I bring this up. You know, one of those.

Danny: Mother I need more context.

Jack: If your boyfriend a crime lord!?

Maddie: Jack!

Jack: What? Beating around the bush wasn't helping!

Danny: Say WHAT?

===

Danny: Hey dude, thanks for helping with this even though you didn't need to!

Jason: No problem, I wasn't doing anything too [Crime Lord activities flash through his mind] important.

Danny: Can you believe my parents thought you were a crime lord though? Weird am I right?

Jason:

Danny: Jason. You are scaring me.

Jason: Haha, yea that's weird isn't it?

Danny: Jason.

Jason: Well, I have to leave now to attend to my totally real and totally not crime related job at the ice cream shop.

Danny: [Squints eyes]

Jason: [Internally sweating bullets]

Danny: Suuuuure, bring me back some ice cream though.

Jason: [Thumbs up and leaves]

[drenched-in-sunlight]

family tea party.

(in my mind, Radagon is the pure Order with no kindness half, and he always yearns to converge with Marika + be on equal footing with her, so in my drawing he’ll always be kinda nuts)

[abel-second-son]

Source

[campbenji]

excitedly waiting for jwct to come out tomorrow and having fun because the world didn't end when i was 15 or smth

[welcometogrouchland]

(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.

Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

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heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[herefortheships]

Betelgeuse and marriage theory

A Beetlejuice head-canon/theory I have (It's somewhat "Beauty & The Beast" coded 🌹🥀).

Having died poisoned on his wedding night, Betelgeuse's soul is bound by the ritual of marriage.

We already know he will be able to reenter the mortal world if he marries a living person (due to the rules of the afterlife and whatnot), but here's where my head-canon starts:

Bound to the ritual of marriage, if he marries someone he loves, who truly love him back, dead or alive, his soul will be freed and he will be able to pass on to the great beyond next to his beloved (once his beloved passes away as well, assuming she happens to be currently alive *hint hint*). This person has to wear Delores' ring and accept and love Betelgeuse as is. She has to fall in love with his soul. Only loving him truly, wearing the ring, and sealing the deal with a kiss will release him, and that way, in the end, both his soul and his beloved's (it has got to be Lydia, please) can move on peacefully into the great beyond and exist without curses or attachments.

Totally a fantasy in my head because there's no way something like this would happen in canon much to the sadness of my little heart lol, but I thought I'd share it with you all. And who knows, maybe if there's a third movie they will explore what it is about Betelgeuse's character that is so attached to the concept of marriage. Because, listen, maybe the ritual where a ghost marries a living person and can materialize in the living world is something that is bound to the rules of the afterlife, and detailed in the Manual for the Recently Deceased, but the symbols and ritual of marriage is something intrinsic to the character of Betelgeuse itself.

He died on his wedding night, for starters. He was tricked by Delores and fell for her immediately. One could argue he fell quickly because she is so gorgeous and no doubt manipulated him into believing she loved him, and that's definitely part of it, but also, (and I have no doubt about this one), he believed her and fell for her immediately because Betelgeuse wants to be loved. He's a romantic underneath it all, and he wants to love and be loved. He might have been desiring it for a long time, failing to find love throughout his life until he met Delores.

He may exude self-confidence (maybe even to a delulu extent lol) and present himself in this very raunchy way, but inside, I'm sure he desires a genuine love; he wants to love someone and be loved truly. And he died, murdered by his bride on the night of his wedding. Betelgeuse was murdered on the night that should have been the happiest of his life, and his desire for love and a wedding stayed with him beyond the grave, now stained with blood and betrayal and a curse that can only be broken, in my head-canon/theory, by marrying someone who truly loves him, whom he truly loves.

Marriage is definitely a very important theme in Beetlejuice, so it'd be interesting if there's something more underneath it, which could be explored in the next movie if we are so lucky to get it.

[kj-beastboy]

morning cat yoga (yeah those 🏳️‍⚧️ colors were chosen like this on purpose)

[unnonexistence]

hermann thoughts: if i discredit newton and his approach enough, the martial won't give him the equipment for his kaiju drift, and i can protect him from himself. if he despises me for it, so be it. there is little i wouldn't sacrifice to see him safe.

newt thoughts: this is a Best Science competition and i have to Win

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[simplydnp]

can you plz explain the iceland theory and how it originated

i'll do my best! (and @goldenpinof might have to fill in some blanks for me)

the driving theory is iceland wedding (which, all of our best theories are wedding theories aren't they)

the last show for WAD was supposed to be in iceland, and pj, sophie, and phil were all supposed to be there. they were also planning on spending some time there after the show 'exploring'.

dan was very, very disappointed about the cancelation of that show in particular. based off of his communication at the time, it 1 didn't seem like his idea to cancel it, and 2 came across like he found out when we did.

being that the plan was to be the 4 of them, and that dan vowed he would be there some day... it just seemed Very important.

[whatsourmotto-whocares]

scenes I can't believe are directly adjacent =

Tommy gets his cake (and eats it, too 😉)

[calmlb]

what if i want to get you started on the symbolism of dazais coat

(the neurodivergency does not allow me to understand the symbolism of dazais coat.)

(from the 'chuuyas not in the dark era' post)

NEURODIVERGENTS UNITE 🤝🏻

well i was actually referring to Chuuya’s coat in that post, but it’s relevant to both to them!

i’ve noticed a trend with harukawa & coats… when someone is where they’re supposed to be, they usually wear their coat properly (arms in the sleeves instead of it resting on their shoulders)

Dazai never wore the oversized, black coat that Mori gave him properly… as if to symbolize that he’d never belonged in the mafia. once he decided to try living in the light, he got his tan coat, which fits him perfectly :’)

beast Dazai does wear the black coat correctly, bc the mafia is where he chose to be in that universe

then we have Chuuya. he had his jacket in the sheep, but until sometime pre-dark era/post dragon head conflict, he didn’t have a coat— as if he was still trying to find his place in the mafia

i have a hc/theory according to my analysis that something happened post DHC that made skk much closer. if that’s true, it would make sense why we finally see Chuuya wearing a coat— & not only that, he has it halfway on

bc his partnership with Dazai solidified his place in the mafia, & assuming that Dazai would be there indefinitely, Chuuya was probably (subconsciously) starting to solidify the mafia as where he’s supposed to be

but then Dazai left. and the next time we see Chuuya, he’s still wearing his coat (he did decide that the mafia is his family, after all) but he’s not wearing it properly, it hangs off of his shoulders

this could symbolize that the mafia isn’t where Chuuya is meant to be— that maybe in the future, he’ll leave & find His Place (or perhaps he’ll wander & never find it)

only time will tell…

but that’s my version of The Coats Theory :’)

(ps: notice how Chuuya wears a jacket that fits him when he works with Dazai in the meursault arc… 👀 we’ll have to wait & see if this means anything)

honorable mention for Akutagawa who also properly wears his coat— symbolizing that the mafia is most likely where he’s supposed to be. however the fact that he’s no longer wearing his coat in chapter 120 (having gotten a new outfit) shows us that he’s having an important moment in his character arc :’)

[baggidude]

Spoiler for Venom: The last dance ahead -

So since venom is most likely gonna be in a future spidey film ( Since I think it's implied he's still alive with the cockaroach post credits scene) I'm thinking that once he connects with Peter he'll still do the usual venom things but this time around he will be asking where Eddie is and by the end of the film ( or films ) spidey will help him reunite with Eddie.

[nenoname]

i'm forever unhinged about the burning family photos (and especially the weirdmageddon promo one)